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The Bloody Chamber by Angela Carter is written proof that fairy tales actually do come true. Carter very skillfully takes the essence of the fairytale Bluebeard, upon which it is based, and recreates it so that its social context becomes significant to modern day. In doing so, an element of duality is inscribed in her stories. This duality, alongside the evidence of magical realism, surrealism, postmodernism, feminism and the incorporation of Fantasy, Science Fiction, and Gothic genres creates an environment in The Bloody Chamber that is both rooted in the past and alludes to present society. It is for that reason that in this essay I will discuss how Angela Carter incorporates the aforementioned categories to inform her readers of the moral and social injustices that she perceives while simultaneously creating fictional situations wherein the social norms that she views as unjust are challenged.
Angela Carter’s usage of the fairytale genre allows her to recreate her own modern fairytales in order to mirror social reality; All the while she incorporates specific literary techniques, endowing it with her own meaning. Jeff VanderMeer suggests in a documentary that “Carter’s stories and novels always examine the ways men treat women; they never form a blueprint for utopia” (Vandermeer). Similarly another critic argues that “Carter envisages women's sensuality simply as a response to male arousal. She has no conception of women's sexuality as autonomous desire.”(Friedman) Both critics have pointed out that Carter merely presents women as objects in a patriarchal system. Yet, what they fail to mention is that she also proposes the idea that their repression is the source of their power – the female character’s sexual power is derived from their exploitation. The attainment of female subjectivity in spite of female sexual maturation, the oppression of female sexuality, the passive role of females bound in the confin.
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Below is an essay on "The Bloody Chamber - Sexuality and Theory" from Anti Essays, your source for research papers, essays, and term paper examples.
Angela Carter’s The Bloody Chamber and Other Stories is a theorist’s nightmare. If you want to learn about it you should read these texts, rather than trying to plagiarise somebody’s essay by paying for it. That is not learning, and you are doing yourself and the education system a dis-service by even being on this website.
Armitt, L. 1997. ‘The Fragile Frames of The Bloody Chamber’ in Joseph Bristow and Trev Lynn Broughton, eds. The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism. Harlow: Addison Wesley Longman, pp. 88-99.
Atwood, M. 2007. ‘Running with the Tigers’ in Lorna Sage ed. Essays on the Art of Angela Carter. London: Virago Press, pp. 133-150.
Bacchilega, C. 1997. Postmodern Fairy Tales: Gender and Narrative Strategies. Philadelphia: Philadelphia University Press.
Barker, P. 1995. ‘The Return of the Magic-Storyteller’. The Independent on Sunday [online] 8th Jan. Available at: [Accessed 01/04/2013].
BBC, 2008. Mind Changers, Case Study: The Wild Boy of Aveyron [radio broadcast]. BBC Radio 4. Available at.
Benson, S. 2001. ‘Angela Carter and the Literary Marchen: A Review Essay’ in Danielle Roemer and Cristina Baccilega ed. Angela Carter and the Fairy Tale. Detroit: Wayne State University Press.
Berger, J. 1972. Ways of Seeing. London: BBC.
Broadview Press, 2012. Angela Carter: “The Bloody Chamber” [online]. Available from: [Accessed 01/04/2013].
Bursuc, A. 2010. ‘Wolf Impersonations and Gender Power in Angela Carter’s The Bloody Chamber’. Words and Worlds of Difference. University of Suceava, 22-24 April, pp. 14-27 [online]. Available at: [Accessed 01/04/2013].
Carter, A. 2001. The Sadeian Woman: An Exercise in Cultural History (1979). London: Virago Press.
---, 2006. The Bloody Chamber (1979). London: Vintage Classics.
Cavallaro, D. 2011. The World of Angela Carter: A Critical.
Solitude and Violence Essay: Desert Solitaire vs River Runs Through It This is a law that should be always kept in mind in order to get the right understanding of the author’s thoughts, especially in terms of non-fiction. The writings “A river runs through it” written by Norman Maclean and “Desert solitaire” by Edward Abbey are bright examples of such phenomenon. On the surface they seem to depict one definite thing whether it is fly-fishing or description of wilderness but both posses the depth of the human soul and its conflicts which may result in isolation or even violence.
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The Concepts of Families in ancient Greek Literature “Last days of Socrates” is story of a different kind written by Plato using Socrates voice. Socrates lives his life and dies because of the believes he tried to spread among people. He is accused of impiety and corruption of youth, defends himself but accepts the ruling of death from the court, then stays in prison and dies. Socrates main thoughts were: the necessity of doing what one thinks is right even in the face of universal opposition, and the need to pursue knowledge even when opposed.
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The Bloody Chamber
Published in 1979, The Bloody Chamber and Other Stories, which received the Cheltenham Festival Literary Prize, retells classic fairy tales. Angela Carter revises "Puss-in-Boots" and "Sleeping Beauty," for example, from an adult, twentieth-century perspective. Her renditions are intended to disturb and titillate her audience, instead of lulling it to sleep. The title story recasts the legend of Bluebeard, the mysterious French nobleman who murders his many wives. The legend, as recorded by the seventeenth-century author Charles Perrault, begins with the marriage of a girl to an eccentric, wealthy man. Called away on business, the newlywed husband leaves his wife the keys to every room and cabinet in the house. This keyring includes one key that she must not use: the one to the ''room at the end of the great gallery.’’ Of course, she eventually enters the room forbidden to her. In it she finds the corpses of her husband's previous wives, all with their throats cut. Startled, the girl drops the key, which is enchanted and permanently stained by the blood on the floor. From this stain, Bluebeard discovers her disobedience. He raises his scimitar, but just
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Autor: anton • April 4, 2011 • 497 Words (2 Pages) • 641 Views
Published in 1979, The Bloody Chamber and Other Stories, which received the Cheltenham Festival Literary Prize, retells classic fairy tales. Angela Carter revises "Puss-in-Boots" and "Sleeping Beauty," for example, from an adult, twentieth-century perspective. Her renditions are intended to disturb and titillate her audience, instead of lulling it to sleep. The title story recasts the legend of Bluebeard, the mysterious French nobleman who murders his many wives. The legend, as recorded by the seventeenth-century author Charles Perrault, begins with the marriage of a girl to an eccentric, wealthy man. Called away on business, the newlywed husband leaves his wife the keys to every room and cabinet in the house. This keyring includes one key that she must not use: the one to the ''room at the end of the great gallery.'' Of course, she eventually enters the room forbidden to her. In it she finds the corpses of her husband's previous wives, all with their throats cut. Startled, the girl drops the key, which is enchanted and permanently stained by the blood on the floor. From this stain, Bluebeard discovers her disobedience. He raises his scimitar, but just in time, her brothers arrive to slay the murderer.
Though it follows the original tale in basic structure, ''The Bloody Chamber'' adds details of character and setting that raise issues of sexual awakening and sexual depravity, of the will to live, and of life in hell. In having the young bride be the one to tell her story and in having her courageous mother come to the rescue, moreover, Carter revisits an age-old tale with her feminist viewpoint.
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1. The Bloody Chamber: Introduction
. a floating head urging him to spill blood. (B) He sees a bloody axe lodged in Duncan’s brow. (C) He sees a pale maiden weeping in the moonlight. (D) He sees a floating dagger pointing him to Duncan’s .
. must be killing the king right now. The doors to Duncan’s chamber are open, and the drunk servants make a mockery of their jobs by snoring instead of protecting the king. I put so many drugs in their drinks .
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